{"id":526,"date":"2025-05-11T20:03:32","date_gmt":"2025-05-12T03:03:32","guid":{"rendered":"https:\/\/aegraves.com\/words\/?p=526"},"modified":"2025-05-11T20:03:32","modified_gmt":"2025-05-12T03:03:32","slug":"lomography-rescale-at-iso-200-for-architectural-photography","status":"publish","type":"post","link":"https:\/\/aegraves.com\/words\/2025\/05\/11\/lomography-rescale-at-iso-200-for-architectural-photography\/","title":{"rendered":"Lomography Rescale at ISO 200 for Architectural Photography"},"content":{"rendered":"<p>I&#8217;ve written previously about Lomography Redscale film, and how I have enjoyed using it around San Francisco, especially for red brick architecture.\u00a0 I&#8217;ve unintentionally underexposed this reverse-spooled film in the past, and wondered if exploiting it&#8217;s &#8220;extended range&#8221; could both address my underexposure and provide a less red, more neutral look that I could benefit from in my building photography.<\/p>\n<p>The answer is definitely yes!\u00a0 At ISO 200, the reds remain, but are pleasantly subdued.<\/p>\n<p>With this knowledge, I realize I have options for exploring Lomography&#8217;s other color-shifted films (which use different mechanisms to remap the colors) for my architecture projects.\u00a0 Especially as my favorite black and white film for that purpose has been discontinued&#8230;\u00a0 I want to use that as an excuse to explore all of my options.<\/p>\n<p>I will be returning to Redscale in the future.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve written previously about Lomography Redscale film, and how I have enjoyed using it around San Francisco, especially for red brick architecture.\u00a0 I&#8217;ve unintentionally underexposed this reverse-spooled film in the past, and wondered if exploiting it&#8217;s &#8220;extended range&#8221; could both address my underexposure and provide a less red, more neutral look that I could benefit [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":527,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13,35,23],"tags":[18,53,54],"class_list":["post-526","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analog-film","category-color","category-lomochrome","tag-architecture","tag-lomography-redscale","tag-mamiya-rb67","entry","fw-tab-6 fw-tabr-4","has-featured-image"],"jetpack_featured_media_url":"https:\/\/aegraves.com\/words\/wp-content\/uploads\/2025\/05\/202504-STransitCenter-redscale-aeg.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/aegraves.com\/words\/wp-json\/wp\/v2\/posts\/526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aegraves.com\/words\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aegraves.com\/words\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aegraves.com\/words\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aegraves.com\/words\/wp-json\/wp\/v2\/comments?post=526"}],"version-history":[{"count":1,"href":"https:\/\/aegraves.com\/words\/wp-json\/wp\/v2\/posts\/526\/revisions"}],"predecessor-version":[{"id":528,"href":"https:\/\/aegraves.com\/words\/wp-json\/wp\/v2\/posts\/526\/revisions\/528"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aegraves.com\/words\/wp-json\/wp\/v2\/media\/527"}],"wp:attachment":[{"href":"https:\/\/aegraves.com\/words\/wp-json\/wp\/v2\/media?parent=526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aegraves.com\/words\/wp-json\/wp\/v2\/categories?post=526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aegraves.com\/words\/wp-json\/wp\/v2\/tags?post=526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}