My diverse photographic practices still include digital infrared, though the camera that introduced me to this possibility is long retired. (The first Leica Digilux, made by Panasonic, was kind enough not to have a built-in IR filter, and so I could add an external one to achieve great things – but only could create four megapixel images.)
While I was in Japan in autumn 2024, I had a chance to visit Kobe: my day of sunshine gave me a chance to visit Sorakuen Garden, a lush oasis of ponds, trees, and shade. I was eager to visit with my new infrared camera (a Sony Alpha 5000, modified to only see in false color infrared), and I enjoyed myself.
Upon my return, I realized I’ve forgotten how to process false-color infrared, but was able to find enough reminders online to get back to it. I chose false-color so that I could more finely control mid-tone contrast, but it also means I have options to make images that turn the blue foliage that I see in my viewfinder to gold.
You’ll be seeing more images as I practice and adjust my techniques.
